DIMENSIONAL AND CYCLICAL TRACKING PHYSICAL MATTER - WINTER FLORA
Dormant flora and ice encountered in direct dimensional orientation. States tracked: erasure, permanence, rest, recursive erasure, and suspension. The ice introduced recursive erasure and suspension as distinct states within the same dimensional field.
THEMATIC CYCLE TRACKING - THE COSMOLOGY IN EMOTIONAL AND PHYSICAL MATTER
Emotional and spiritual states encountered and tracked through direct dimensional orientation. The work grounds intangible matter into physical form - figures, botanical elements, and natural structure serve as the dimensional field through which the states move and become visible.
INVERSE AND DIRECT SPATIAL CENTRATION - THE COSMOLOGY'S SPATIAL AND FORCE LOGIC
Investigation into the foundational spatial logic of the framework — every dimension, cycle, and state carries an inverse and direct counterpart. The psi and phi drawings map this underlying architecture. The figure makes centration visible - the central force holding the cycle within the toroidal field. Nature and the terrain of dreams and nightmares ground the physical dimension of the tracking.
INSTALLATION - CYCLE MAPPING
TRANSITION FROM ERASURE TO REST
Crop circles tracked through the post-harvest field - after erasure, moving through permanence and into rest. The threshold before the new seed forms. Matter held still between one cycle and the next.
INSTALLATION - CYCLE MAPPING
TRANSITION FROM RESONANCE TO ERASURE
Crop circles tracked at the moment of resonance as color begins its shift toward erasure. The installation captures the cycle at its turning point - matter still present but already moving toward dissolution
LOGISTICAL TRACKING- DIMENSIONAL VANTAGE POINT
Early spatial mapping of a man-made logistical system - the postal infrastructure observed as dimensional vantage points. The first community-based system tracked through the cosmology and precursor to the crop circle series. Within the same investigation, time entered as matter - past, present, and future - was tracked as dimensional states. The work arrived at a distinct position rendered as visual poetry directly on the artifact: echoes are not mistakes. They repeat the original intent in perfection.
LOGISTICAL TRACKING - DIRECTIONAL TRACKING
Water tracked through two-dimensional expressions - natural and logistical. The upper work observes water in its natural force state, the spatial logic of a storm or hurricane eye. The lower three panels map a cistern system spatially — how water moves and transfers through a constructed logistical framework. Natural forces and man-made systems are tracked through the same directional logic.
ORIGIN - INSTALLATIONS
Early investigations tracking emotional and material states through color and making - joy as the primary internal matter. The cosmological framework was not yet systematic, but the tracking impulse was already operating. These works are the origin point of the practice before the system formed.
ORIGIN - RECURSIONS
Origin matter re-encountered through the framework - works placed into new vantage points through inversion, dimensional shift, and mark-making transformation. Some of the recursions do not document before and after. They show the dimensional result of the tracking operating on material that preceded the system. The sculpture, Cocoon and the 4 Seasons, is the exception, as the sculpture piece is physically reduced to two smaller pieces, the only literal before and after in the series, and 4 Seasons takes the figures outside of their native bearings and collapses the landscapes within an inverse parallel spatial placement.
Inverse Parallel- Collage and sculpture works arriving at inverse parallel through reduction and inversion. Figures previously immersed in the background collapsed and repositioned into suspension in blue. The sculpture was reduced in height to smaller organic forms. Both works reach the same dimensional vantage point through different material logic.
Origin Reference Field
Distinct Origin Reference Points - Where the origin dimensional vantage points first establish themselves.
Distinct Adjacent Inverse Characteristic Origin Points- shapes and spatial language that are direct, but read as sharing inverse characteristics.
Sub-origin Reference Points- Native adjacent origins, the adjacent sources from which the origin first derived.
Resonance/ Rawness Recursive- Mark making applied to origin works - intentional marks tracking resonance through rawness. The additions alter the work's dimensions, adding depth and presence in a resonant form.
